
In June 2011, I became the travelling companion of one of TV’s most temperamental and feared figures; an icon who created havoc during a twenty year reign of TV terror. Yes, I escorted Emu (of Rod Hull and … fame) from a loft in Birmingham back home to Rod’s family in Sydney, Australia.
I was making a documentary about the late great Rod Hull as part of ITV 1’s Unforgettable series. As a child, Emu had been as big a part of my life as jam sandwiches and John Craven. An anarchic creature, who bit first and wrestled the great and the good to the floor later. From the Queen mum to Parky, no one was safe from his fearsome pecks. When Rod died, in 1999, Emu quietly disappeared. And I was curious to learn what had happened to Rod’s badass bird…Speaking to the Hull family (now based in Sydney), I discovered that Rod’s psychotic sidekick was languishing in the loft of a family friend in Birmingham and they were rather keen to have him back.
As I was due to fly out to Australia to film with the Hulls, I suggested that I should escort Emu home. They agreed, arrangements were made and I eagerly awaited the arrival of the most precious and potentially dangerous piece of luggage I was ever likely to travel with.
The day before I was due to fly, a courier delivered a large, battered yellow bag to the production office. A hush fell over the room. Word had got round as to the identity of my travelling companion. Twenty five jaded TV professionals gathered round. Between us, we had probably met and been underwhelmed by every major celebrity of the past decade. Many icons in the flesh do not live up to their onscreen images. But as I unzipped the bag and we caught a glimpse of blue and orange raffia, you could have heard a pin drop. Necks were craned and eyes were on stalks as I gingerly I stuck my hands into the bag.
Nothing could have prepared us for Emu; well over six feet from the plastic plumage on top of his head to the large feet, with legs longer (and more yellow) than any supermodel. He was sewn into Rod’s famous safari jacket with a false plastic arm wrapped round his body, making him extremely heavy. Beady eyed, hard beaked, the face, even inanimate, displaying the well known mixture of disdain and distemper. Back from the dead, after twenty years, Emu was extraordinary and terrifying in equal measures
We stared in awed silence. Several of us admitted to a lump in the throat at coming face to beak with such an integral part of our childhoods. Then Emu, along with a small repair kit that Rod always travelled with including a small pot of yellow paint and touchingly a photo of his family, was repacked into a brand new sturdy suitcase and padlocked (for our safety as much as his, a colleague remarked). He was ready for his very long journey home.
The following afternoon as I queued at check in at Heathrow, it suddenly struck me. I about to put an icon into the hold of a plane and trust that it would emerge intact sixteen thousand miles later. And not only that, what the hell was going to show up when this thing was x rayed? A large life like bird with a very realistic fake arm attached. I am sure there are more suspicious packages, but at that moment I couldn’t think of any.
I threw myself on the mercy of the check in official.
“Did you pack the bags yourself madam? “
“Er..yes, but I really think I should tell you what’s in this one. Do you, by any chance remember Rod Hull and Emu? Ah Good, well I have Emu in this bag and he’s attached to a fake arm and I’m taking him to Rod’s family in Australia. “
Several searching question and a brief glimpse of the precious cargo later, the good people at British Airways were satisfied that I was not a danger to myself, a fantasist or high on hallucinogenics and deemed Emu worthy of VIP, as in Very Important Puppet, treatment. Yes, Emu got an upgrade. A British Airways official arrived to personally and reverentially escort Emu to the first class hold. Apparently there’s a pecking order for luggage as well as for people.. If I was hoping for similar star treatment, I was wrong. One glimpse of my boarding pass assured me, that celebrity perks were not handed out to the unknown travelling companion and I slunk off to cattle class.
I spent the long flight with my knees by my chin, easing my pain by drinking too much economy class wine and darkly imagining Emu, yellow feet up in first, being offered massages, champagne and a trip to see the captain.
Twenty four hours later, at 5am, we were reunited in baggage reclaim at Sydney airport and headed for security screening. As an Aussie customs official picked up the bag and put it onto the conveyor belt, I went through the same schtick again….
“Er…. Do you remember Rod hull and Emu? “
The Aussie barely glanced up. Not an eyebrow was raised as the image of twisted, crumpled puppet and lifelike limb fetched up on the X- ray monitor, though the Angel Delight and Gravy granules requested by Rod’s eldest daughter was regarded with suspicion and required lengthy explanation.
After three riotous days filming, I finally handed Emu over to Rod’s family in a hotel suite. Toby, Rod’s eldest son, had developed an act with a new Emu and agreed to put Rod’s puppet on and animate it, so that I could film the original bird. Filming it inanimate was strictly forbidden. Rod always had a strict rule that Emu was never seen inanimate to maintain the illusion that he was ‘alive’.
Toby left the room with the suitcase and emerged several minutes later with a very lively Emu on his arm. Even without Rod, he seemed as real as anyone in the room. Our eyes met. Mine, at least were a bit teary. We gazed at each other. One battered bird who’d seen better days to Emu. If I expected gratitude for bringing him home, I was wrong Age had not improved his temper. As I went to stroke his head, he bit me. I went in again, he bit me again. And then something extraordinary happened. I attempted to reason with him. I calmly explained that he should be nice to me, as I’d travelled across the world to bring him back to Australia. Which was ridiculous when you think that I was actually trying to reason with Toby’s arm. The Australian crew, were doubled up with laughter. Rod’s family smiled knowingly and Emu sat on my head. We did just about manage a couple of minutes filming and a photo for posterity and then Emu was firmly locked away again.
And so I said goodbye to that icon of my childhood and travelling companion, while managing to nick a bit of raffia as a souvenir and started my long journey home to London. Cattle class – of course!